A Writer's POV: Does Listening to an Audiobook Really Count as Reading



I love books.

I love the feel of them, the smell of them, the ridiculous number of them stacked around my house, and the way I can tell myself I absolutely need another one even though there are already several waiting patiently to be read.

But I also love audiobooks.

And apparently, that can be controversial.

Mention that you “read” a book on Audible or Libby and, sooner or later, someone will say:

“But you didn’t actually read it. You listened to it.”

Well.

Yes.

Technically, my ears were involved. But does that mean I didn’t experience the book?

That question sent me down a research rabbit hole, and what I found was much more interesting than I expected.

The short answer is this:

Listening to an audiobook and reading a printed book are not exactly the same thing—but when it comes to understanding a story or absorbing information, they are much more alike than many people realize.

And yes, I am firmly in the camp that audiobooks count.

What Are We Really Talking About When We Say “Reading”?

Part of the problem is the word itself.

When we think of reading, we picture someone sitting with a book, eyes moving across the page.

And certainly, that is reading.

Our brains recognize letters, turn those letters into sounds and words, and then make meaning from them.

But the meaning part matters.

A lot.

Literacy researchers often describe reading comprehension as a combination of decoding and language comprehension.


Decoding is the ability to look at printed words and figure out what they say.

Language comprehension is understanding what those words actually mean.

An audiobook takes away most of the decoding work.

The narrator does that part for you. But your brain is still busy doing everything else.

You still have to follow the story.

You still have to remember who is related to whom—which, if you happen to be listening to an epic historical novel with eighteen cousins and three men named William, is no small task.

You still have to understand vocabulary, recognize sarcasm, notice clues, make predictions, infer what a character is feeling, and connect what is happening now to something that happened six chapters ago.

In other words, your brain is not exactly lounging around while the narrator does all the work.

The Research Is Actually Pretty Fascinating

A large 2022 review looked at 46 studies involving more than 4,600 people and compared reading comprehension with listening comprehension.

The overall finding?

There was not a significant difference between the two.

People generally understood what they were reading and what they were hearing at similar levels.

That does not mean the experiences were identical.

Print sometimes had an advantage when readers needed to slow down, reread something complicated, or make deeper inferences.

And that makes complete sense.

With a book, you can stop. Go back. Read a sentence again. Stare at it. Read it one more time.

Wonder why the author decided to make things unnecessarily complicated.

Then continue.

With an audiobook, the narrator keeps happily marching along unless you reach for the rewind button.

Still, the overall research suggests that listening comprehension can be remarkably similar to reading comprehension.

And neuroscience gives us another interesting piece of the puzzle.

Researchers at the University of California, Berkeley studied brain activity while people either listened to language or read it.

They found that the brain processed the meaning of the language in strikingly similar ways regardless of whether the words entered through the eyes or the ears.

That is the part I find especially interesting.

The book may enter your brain differently.

But once the story gets there? Your brain starts doing many of the same things with it.

Which Explains Why an Audiobook Can Completely Wreck You Emotionally

If you have ever listened to a really good audiobook, you already know this.

You are driving peacefully down the road.

Everything is fine.

Then a character dies.

Or someone finally admits they are in love.

Or the dog gets old.

Suddenly you are crying at a stoplight while the person in the car next to you is desperately trying not to make eye contact.

Your brain does not seem particularly concerned that you did not physically turn the page.

You were in the story.

That matters.

Another study compared adults who read an e-book, listened to an audiobook, or did both at the same time.

Researchers tested them immediately and again two weeks later.

They found no significant differences in how well the groups remembered the material.

Again, that does not mean every book or every reader will have the same experience.

A dense science textbook is very different from a novel.

But it does make it harder to argue that audiobook listeners somehow aren't retaining anything.

Why I Sometimes Prefer Audiobooks

There are simply times when an audiobook works better.

I cannot safely read a paperback while driving.

Apparently, society has rules about these things.

But I can listen to one.

I can also listen while walking, cooking, folding laundry, exercising, cleaning the house, or doing any number of other things that would normally make reading impossible.

And honestly?

Sometimes a narrator makes a book better. Julia Whelan anyone? 

A wonderful narrator gives characters personality.

They give you accents, timing, emotion, humor, and pauses that completely change how a scene lands.

Historical fiction can be especially fun this way because suddenly all those Scottish place names I have been confidently pronouncing incorrectly in my head have actual pronunciations.

Audiobooks can also make books more accessible.

For someone who struggles with decoding, has dyslexia or another print disability, is learning a language, or simply gets tired reading large blocks of text, audio can open the door to books that might otherwise feel out of reach.

And I am very much in favor of anything that opens more doors to books.

There Is Even Evidence That Audiobooks Encourage More Reading

This was one of my favorite things I found.

Research from the National Literacy Trust found that many children and young people who listened to audiobooks said the experience actually increased their interest in reading.

More than half of audiobook listeners surveyed said audiobooks had made them more interested in books.

That matters.

Especially when we are talking about reluctant readers.

Sometimes the problem is not that someone hates books.

They just have not found the right way into them yet.

Maybe that doorway is a graphic novel. Maybe it is romance. Maybe it is fantasy.

Maybe it is listening to a fabulous narrator tell them a story on the bus ride home.

Once someone discovers that books can be wonderful, I am not terribly interested in policing the format they used to get there.

But Print Still Matters

This is the part where I make the print-reading people happy.

Because they are not wrong either.

Reading a printed book gives you something audio does not.

You control the pace.

You can reread a paragraph in seconds.

You can underline something.

Write in the margin.

Flip back to Chapter Three because you suddenly realized something important in Chapter Twelve.

You can see how a word is spelled.

You can notice paragraph structure and punctuation.

You can quickly scan a page for something you missed.

Those things matter.

And they matter tremendously for children who are learning how to read.

A beginning reader needs actual time with print.

They need to connect letters with sounds. They need to recognize words. They need to practice decoding until it becomes automatic.

An audiobook cannot do that job for them.

It can help build vocabulary and comprehension. It can expose them to richer language and more complicated stories.

But it should not completely replace reading print.

For developing readers, I think the best answer is often not audio or print.

It is audio and print.

Sometimes I Want the Book in My Hands

There are also books I simply prefer to read.

If I am reading something complicated that I know I will want to underline and come back to later, I usually want the physical book.

If there are maps, photographs, charts, recipes, or diagrams, I definitely want to see them.

And there are some books where I just like turning the pages.

There is something wonderfully slow about sitting with a book when nothing else is demanding your attention.

No multitasking.

No folding laundry.

No GPS interrupting the most important scene in the entire novel with, “Turn left in 500 feet.”

Just the book.

I love that too.

So Does an Audiobook Count?

I think we sometimes get far too caught up in deciding what counts as “real” reading.

Hardcover is better than Kindle.

Literary fiction is better than romance.

Classics are better than mysteries.

Print is better than audio.

And meanwhile, everyone could simply be enjoying their books.

If a child needs to learn how to decode words, then yes, they need print. If a student needs to analyze the structure of an essay, they probably need to see the page.

But if two people finish the same novel—one reading the hardcover and one listening to the audiobook—they both know the characters.

They both followed the plot. They both noticed the clues. They both formed opinions about the ending. They can both argue passionately about whether the hero deserved forgiveness.

One used their eyes.

One used their ears.

Both experienced the book.

And I am perfectly comfortable calling both of them readers.

Because for me, reading has always been about more than turning pages.

It is about stories, ideas, imagination, and curiosity.

Learning something you did not know before.

Falling in love with characters who do not actually exist and then missing them when the book is over.

If an audiobook gives someone all of that, I am not going to tell them it does not count.

In fact, I may ask what they are listening to next.

A Little of the Research Behind This

Clinton-Lisell, V. (2022). Listening Ears or Reading Eyes: A Meta-Analysis of Reading and Listening Comprehension Comparisons. Review of Educational Research. This analysis examined 46 studies involving 4,687 participants and found no overall significant difference between reading and listening comprehension.

Deniz, F., Nunez-Elizalde, A. O., Huth, A. G., & Gallant, J. L. (2019). The Representation of Semantic Information Across Human Cerebral Cortex During Listening Versus Reading Is Invariant to Stimulus Modality. The Journal of Neuroscience. Researchers found substantial similarities in how the brain represents meaning during reading and listening.

Rogowsky, B. A., Calhoun, B. M., & Tallal, P. (2016). Does Modality Matter? The Effects of Reading, Listening, and Dual Modality on Comprehension. SAGE Open. Participants who read, listened, or did both showed no significant differences in comprehension or later retention.

Moore, J., & Cahill, M. (2016). Audiobooks: Legitimate “Reading” Material for Adolescents? School Library Research. The review discusses the role audiobooks can play in comprehension, vocabulary, motivation, and access to literature.

National Literacy Trust. Children, Young People and Audiobooks. Research found that audiobook listening was associated with reading enjoyment and that many young listeners reported that audiobooks increased their interest in reading.

Announcing the Arrival of: The Thistle & The Rose

 


The Thistle & The Rose

Now Available - Amazon Buy Link


Where the Legend Began...

There are some stories that arrive quietly.

And then there are the ones that refuse to let go.

The Thistle & The Rose has been that story for me.

From the moment Claire Ashford looked out through the mist-covered carriage window and first locked eyes with Highland laird Lachlan Cameron, I knew this wasn't simply a romance. It was the beginning of a legend—a story of two people whose lives collide in the wild Scottish Highlands, forever changing not only each other, but everyone around them.

This novel is about choices.

Claire has spent her life believing her future belongs to everyone but herself. Raised to be dutiful, obedient, and politically useful, she never imagined she would find her greatest strength in the last place she expected—the rugged Highlands of Scotland.

Lachlan has sacrificed everything for his clan. Honor. Peace. Even the hope of love. As laird of Raven's Berry, every decision he makes carries the weight of generations. Taking Claire was never part of his heart's plan—it was an act born of necessity.

Yet sometimes destiny has plans of its own.

As enemies gather, betrayals are uncovered, and old wounds are reopened, Claire and Lachlan discover that love isn't something that weakens them.

It becomes their greatest strength.


What You Can Expect

If you've followed my books before, you'll recognize my love of layered characters and emotional journeys. With The Thistle & The Rose, I wanted to create a romance that sweeps readers into the Highlands and refuses to let them leave.

Inside you'll find:

  • ❤️ A slow-burn romance filled with longing and unforgettable chemistry

  • ⚔️ A fiercely protective Highland laird

  • 🌿 A heroine who discovers her own courage and chooses her destiny

  • 🏰 Ancient castles, mist-covered glens, lochs, waterfalls, and breathtaking Scottish landscapes

  • 🔥 Family betrayal, clan loyalty, and epic battles

  • 💚 A love story built on trust, sacrifice, and choosing each other again and again

At its heart, this is a story about finding home—not in a place, but in a person.


A Story Years in the Making

Writing this novel has been an incredible journey. I wanted readers to feel the wind sweeping across the Highlands, hear the crash of waterfalls beneath Raven's Berry Keep, and experience every stolen glance, every hard-fought battle, and every moment Claire and Lachlan begin to realize they are no longer fighting only for survival—but for each other.

Their story demanded bigger emotions, richer landscapes, deeper friendships, and a romance that unfolds one heartbeat at a time.

I hope you'll fall in love with Raven's Berry as deeply as I have.


Be Among the First to Read Their Story

I'm thrilled to announce that The Thistle & The Rose is now available!

Whether you've been with me since my earlier Highland romances or this will be your very first visit to Scotland with me, I cannot wait to introduce you to Claire and Lachlan.

Because every legend has a beginning...and this is theirs.

Thank you, as always, for your incredible support. Every order, every review, every recommendation, and every message means more than I can ever express.

I'll be sharing behind-the-scenes inspiration, character features, deleted scenes, and sneak peeks in the coming weeks, so be sure to follow along.

See you in the Highlands.

With gratitude,

Madelyn Hill




















The Thistle & The Rose Is Now Available for Preorder!

 


I am thrilled to announce that my newest historical romance, The Thistle & The Rose, is now available for preorder!

This story has been living in my heart for quite some time, and I cannot wait for readers to journey into the Scottish Highlands with Laird Lachlan Cameron and Lady Claire Ashford.

When Claire is taken from the familiar safety of England and brought beneath the shadowed walls of Raven’s Berry Keep, she is determined not to surrender to the stubborn Highland laird who claims he is protecting her.

Lachlan Cameron has no time for an infuriating Englishwoman with a sharp tongue, an unyielding spirit, and an unsettling ability to slip past every defense he has built around his heart. Yet as danger closes in and loyalties are tested, Claire and Lachlan are forced to rely upon one another.

What begins with mistrust, heated arguments, and undeniable attraction slowly becomes something neither of them expected—and something both may be willing to risk everything to protect.

Filled with:

  • A fierce Highland laird

  • A spirited English heroine

  • Sharp banter and slow-burning attraction

  • Rival brothers and divided loyalties

  • Highland danger and adventure

  • Emotional tension, passion, and a love worth fighting for

The Thistle & The Rose is a sweeping Scottish historical romance about trust, belonging, sacrifice, and two people who discover that love can bloom even in the most unforgiving places.

Preorder Your Copy Today

Be among the first to experience Lachlan and Claire’s story when The Thistle & The Rose releases on July 1st.

Preorder here: https://www.amazon.com/Thistle-Rose-Madelyn-Hill-ebook/dp/B0H42RGV9D/ 

Preordering is one of the best ways to support a new book. Every preorder helps the story reach more historical romance readers—and ensures the book will be waiting for you on release day.

Thank you for continuing to support my stories, my Highland heroes, and the strong women brave enough to challenge them. I am so excited to finally share The Thistle & The Rose with you.

Until then, may your days be filled with romance, adventure, and just a touch of Highland magic.

With love,


Madelyn 

Madelyn TikTokified!

 

@author.madelyn.hi

A Writer's POV - Keep Them Hooked: Writing Page-Turning Moments Like a TV Show

 


Yes, I know in the world of streaming, some may think the commercial break is old school. However, streaming services are now charging to remove commercials--so here we are--old school is new school.

If you’ve ever yelled “Are you kidding me?!” at your screen when a show cuts to commercial right as something big is about to happen… you already understand one of the most powerful storytelling tools available to you as a romance writer.

Television has mastered the art of the strategic interruption—and it’s exactly what keeps viewers glued. The good news? You can use the same technique to keep readers flipping pages deep into the night.

The “Commercial Break Effect”







Think about an episode of NCIS. Right before a commercial break:

  • Gibbs discovers a crucial clue

  • A suspect runs

  • A gun is raised

Cut to black.


Or in Grey's Anatomy:

  • A confession is about to happen

  • A patient flatlines

  • Two characters lock eyes with everything unsaid

Cue dramatic music… then ads.


Even comedies like Friends or Brooklyn Nine-Nine use this:

  • A punchline is almost delivered

  • A character is about to reveal a secret

  • Chaos is just beginning

Cut. Wait. Come back. Payoff.

The goal is simple: create irresistible curiosity at the exact moment tension peaks.


Why This Works (And Why Romance Needs It)

Romance thrives on emotional tension—will they, won’t they, should they, can they survive this?

But here’s the truth:

Readers don’t turn pages because things are happening.

They turn pages because something is about to happen.


That “almost moment” is your version of a commercial break.


How to Use This in Romance Writing

1. Cut at the Peak—Not After the Resolution

Don’t write the kiss… and then end the chapter.

End it right before:

  • His hand cups her face

  • She realizes what she’s about to do

  • He says her name like a promise

Cut. New chapter.

2. Interrupt Emotional Vulnerability

Romance readers crave intimacy—but anticipation makes it powerful.

Instead of:

“I love you,” he said.

Try:

“I—” His voice broke.

She leaned closer. “What?”

He swallowed. 

Chapter End.

Cruel? Yes. Effective? Absolutely.

3. Use Physical Action as a Trigger

Borrow directly from shows like NCIS:

  • A door bursts open

  • A letter is discovered

  • A rival appears

In romance, this could be:

  • The ex walks in

  • A secret is uncovered

  • A betrayal is about to be revealed

End the chapter at the moment of impact, not the aftermath.

4. Leverage Dual POV for Maximum Tension

This is your secret weapon (and you already use it beautifully).

Example from The Thistle and The Rose (soon to be released!):

  • End Claire’s chapter as she’s captured

  • Switch to Lachlan—who doesn’t know yet

Now readers are screaming internally:

 GO FIND HER!

That emotional gap = page-turning fuel.

5. Delay the Payoff (Just Enough)

TV shows return from commercials and stretch the moment before delivering.

You should too:

  • Let the tension simmer

  • Add sensory detail

  • Slow time

But don’t delay too long—you’re teasing, not torturing.


Romance-Specific “Commercial Break” Ideas

Use these moments to end chapters:

  • Right before a first kiss (or forbidden one)

  • Just as a truth is about to be revealed

  • When desire becomes undeniable—but not acted on

  • When danger collides with intimacy

  • During a quiet, vulnerable confession that gets interrupted

  • When one character realizes something the other doesn’t


Example (Romance Style)

Instead of this:

Lachlan pulled her into his arms and kissed her, finally giving in to everything between them.

I changed it to this:

Lachlan’s hand slid to the back of her neck, fingers tightening just enough to steal her breath.

Claire didn’t move. Didn’t dare.

His gaze dropped to her mouth.

“If I do this,” he murmured, voice rough, “'tis no turning back.

She should have stepped away.

She didn’t.

His lips hovered—

And then—

Chapter break.


Final Thought: Make Them Need to Know

TV writers understand something powerful:

The audience will wait through commercials if theneed the answer.

Your readers will turn the page if:

  • The emotional stakes are high

  • The moment is unfinished

  • The question is urgent

So the next time you finish a chapter, ask yourself:

“Am I ending this scene… or am I cutting to commercial?”


Because the difference?

  • One closes the book.
  • The other keeps them up until 2 a.m.


A Writer's POV: Creating Unforgettable Characters






One of the biggest compliments a writer can receive is, “Your characters are unforgettable.”

My secret? My goal is to build characters so fully that, once the story starts, they almost write themselves.

For romance writers especially, compelling characters aren’t optional—they are the story. Chemistry, conflict, longing, growth… all of it flows from how deeply we understand our hero, heroine, and major supporting cast.

To make that happen, I use a character formula that keeps personalities cohesive, motivations clear, and emotional arcs powerful—especially when writing a series.


The Character Formula That Drives Everything

For each hero, heroine, and major player (and for series characters across multiple books), I define:

1. Physical Description

Not just eye color and height—think presence. How do they move? How do others perceive them? What small detail makes them memorable?

2. Background

Their history shapes their wounds, their worldview, and their expectations of love. Every past experience leaves fingerprints on present choices.

3. Flaw

This is the internal problem they must confront. Emotional guardedness. Pride. Fear of abandonment. The flaw fuels conflict—and growth.

4. Desire

What do they want more than anything? Love, safety, redemption, control, freedom? Their desire drives decisions and raises stakes.

5. Contradiction

Real people are walking paradoxes. The strong hero afraid of vulnerability. The independent heroine longing to be cherished. Contradictions create depth and tension. How does this impact their action/reaction to specific situations?

6. Roadblocks

What stands in their way—internally and externally? Trauma. Duty. Family expectations. Rivalries. Fate. These obstacles shape plot and pacing.

7. His/Her Magic (for magical realism or heightened romance)

In my current WIP, this includes a supernatural or symbolic gift—but this can also mean emotional magic: empathy, resilience, intuition, or charm. What makes them uniquely powerful?

8. Endearing Trait

The detail that makes readers root for them. Humor. Loyalty. Softness with animals. Quiet generosity. This is what turns interest into love.


Why This Works for Romance Writers

Once these traits are defined, every choice becomes organic.

  • Dialogue flows because you know how they speak and think

  • Conflict feels authentic because it arises from their flaw and desire

  • Chemistry sparks because their contradictions naturally clash

  • Emotional beats land because their growth is grounded in who they are

Their GMC (Goals, Motivations, and Conflict) emerges from character—not convenience.

Instead of forcing plot decisions, you ask:

     "What would THIS person realistically do in this moment?”

And the answer often surprises you—in the best way.


The Bonus Benefit: Series Consistency

If you’re writing a romance series, this framework keeps characters cohesive across multiple books. Heroes and heroines remain emotionally consistent. Side characters feel familiar. The world feels richer. Readers feel at home. It creates the illusion that these characters exist beyond the page—and honestly, that’s the goal.


And Finally,

When you know your characters this well, writing stops feeling like invention and starts feeling like observation.

They react. They argue. They fall in love.

And sometimes… they take the story somewhere you never expected.


That’s when you know you’ve created characters who truly write themselves.


Writing by the Seat of my Pants - It's All About The Spark

 

 

 

 


Creating engaging characters takes time, inspiration and a hell of a lot of work. My first published novel Wolf's Castle is filled with drama and romance with a mix of Gothic elements on the side. Enjoy meeting my characters below and if you haven't read Wolf's Castle, give it a chance. 

 

Lord Galen Maclean — The Beast of Lomarcan Castle

Title: Lord of Lomarcan Castle
Vibe: Brooding Highlander with a soft center (when coaxed out)

Personality Snapshot

Galen is the classic tortured hero — fierce, stubborn, and sworn to guard his isolation at all costs. He’s known as the “beast” of the castle because of his temper and fearsome reputation, but deep down he’s loyal and passionate.

Hobbies (when he’s not glaring at intruders)

  • Whiskey at dawn — nothing says “ruler of the Highlands” like a man deep in his cups before he breaks his fast.

  • Sculpting stone gargoyles for the castle ramparts — artistic outlet meets intimidation factor.

  • Midnight walks through foggy moors — he claims it’s “for the fresh air,” but really it’s just dramatic.

Favorite Food

  • Smoky Highland stew with roasted root vegetables and thick, buttered bread (a meal worthy of fueling epic brooding).

  • He secretly adores haggis — don’t tell anyone, especially the sheep.

Ideal Mate

Galen’s ideal match is someone who is:

  • Bold enough to lock eyes with him

  • Unafraid of castle corridors at night

  • Quick with a laugh and a sharp retort
    In short: someone who can turn his growls into grins.

 

Vivian Stuart — The Uninvited Light

Title: Wandering Woman with Courage to Spare
Vibe: Intrepid, compassionate, and unshakably curious

Personality Snapshot

Vivian is the spirited heroine who stumbles into Galen’s gloomy world — and refuses to be cowed by his cold exterior. She’s brave, warm-hearted, and fiercely determined to be heard.

Hobbies That Fit Her Spirit

  • Directing fanciful plays — she knows it will anger the beast, but the isle inhabitants deserve to have a bit of dramatic fun.

  • Journaling by candlelight — vivid descriptions, elegant sketches, and many unsent letters to Galen’s softer side.

  • Meddling in castle affairs — if she's stuck on the isle, she might as well make herself useful.

Favorite Food

  • Honey-herb scones with clotted cream — a touch sweet, a touch wild, perfectly balanced (like her personality).

  • She loves fresh berries with cream picked straight from the hedgerows at her home, alas, no berries at Wolf's Castle.

Ideal Mate

Vivian dreams of someone:

  • Strong but emotionally honest

  • Loyal even when the path is hard

  • Capable of protecting her world without trying to control it
    She’s not looking for perfection — just a heart that’s brave enough to love hers.

Why These Two Spark

Galen and Vivian are a classic tale of fire meeting flame — a gruff guardian meeting a bright spirit who refuses to be confined by his past. Their dynamic isn’t just about passion; it’s about growth, courage, and finding unexpected companionship in a haunted castle’s shadowed halls.

 


 

 

 

 

To change my genre or not to change! By Madelyn Hill


 




As a writer, I’ve always been drawn to research—the thrill of discovering forgotten details, the way a single historical fact can ignite an entire plot. History has always felt like a living thing to me, breathing color and texture into the stories I create. Melding real historical elements with the characters who wander into my imagination has long been my favorite part of writing. It’s where my voice found its home.

But sometimes characters arrive who don’t belong in the centuries they usually inhabit.

 


What happens when a historical writer feels called to create something new?

A few years ago, I started hearing a different kind of whisper that
grew into a shout—not from the rugged Highlands or Highlanders or centuries-old castles, but from characters who didn’t belong in any century I’d written before. Their stories were modern, sharp-edged, a little messy, and full of potential. I tried to push them aside, force myself to continue working on my latest Scottish historical, but they stayed. They grew louder. And eventually, I realized I wasn’t just dabbling in a new idea—I was shifting genres entirely.

That realization brought equal parts excitement and fear. I wondered how readers would respond. Some have followed me from book to book because they connect with my voice, not just my settings, and I’m grateful for that. Others adore historical romance specifically, and I understand the hesitation: “Will this feel the same? Will the magic still be there?”

 

The honest answer is yes—and no.

The backdrop may change, but the heart of my storytelling hasn’t. I still build characters who feel deeply and love fiercely. I still chase emotional truth, tension, and connection. I still obsess over details—just not the kind found in 17th-century archives.

And I also know this; shifting genres doesn’t mean leaving readers behind. Some will continue the journey. Some may pause and wait. And some new readers will discover me for the very first time.

Creative growth is a sign of a living writer. Stories call to us from where they exist, whether rooted in history or sparked by the present. My joy is simply to follow.

 

I am wrapping up my Endeavor series and can't wait to get it readers.  

Here's a quick pitch - Three sisters. One curse. A town full of magic. The series is about choosing love even when fate—and fear—say run.

p.s. I'm not giving up on my Highlanders! Their story will be written. 

 

 

 

Audio Books have been created and more are on the way!

 

 


 

I'm excited to announce I have been invited to Amazon Kindle's BETA audio book program.

 

While the books are created using an AI generated voice, the voices are far from computerized. I'm hoping Kindle continues to perfect the process to allow for multiple voices within a chapter and to allow for more expression and affect of emotion.

 

The following books now have an audio option! The audio books are free if you subscribe to Audible and use a credit.

 

 

  

 

 

           

Caila Klaiss - Kennedy Sloane Gets Scooped - Cover Reveal

 

Contemporary Women's Fiction/Contemporary Romance

Date Published: November 6th, 2025

Publisher: Acorn Publishing


 
Faster than details break in a news story, Kennedy Sloane gets scooped.

On a rainy Manhattan afternoon, career-obsessed writer and news producer Kennedy loses the interview that was guaranteed to catapult her to senior producer status. Hours later, revered and feared book editor Muffin Evans, aka the Manuscript Eater, shelves the publication of her promising debut novel.

Over a night of tears and too many glasses of wine, Kennedy responds to an internet ad for a villa on the picturesque island of Hilton Head. She books a five-week “hiatus from life,” to focus on herself, free from distractions.

However, soon after arriving on the island, J.P. Long catches Kennedy’s hesitant eye. Despite a series of serendipitous encounters around the romantic oasis, Kennedy knows there’s no room in her life for a charming professional golfer turned businessman who is battling his own personal and professional insecurities.

But maybe he’s worth the trouble.

If there’s one thing Kennedy’s learned, it’s that life rarely happens as expected, and sometimes, the best stories unfold when you stop chasing the perfect headline.

 

About Caila

A graduate of Fordham University, Caila Klaiss is an award-winning network news producer who spent seventeen years crisscrossing the country to cover breaking and developing stories for platforms across ABC News. The bulk of her career was spent producing true crime documentaries for 20/20.

Since making the difficult decision to leave a career she loved, Caila has pursued her other life-long dream of becoming a writer. When she is not reading, writing, or researching, Caila recharges by practicing yoga.

Born, raised, and currently living in northeastern Pennsylvania, Caila is a New Yorker at heart whose happy place is a warm sandy beach, under a palm tree.


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Goodreads:https://www.goodreads.com/user/show/191917241-caila-klaiss

 

 

Publishing Date - coming soon!

 


Book Blitz: New Release Deviously Delicious

 



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Jills of All Trades, Book One


Mystery, Contemporary Fantasy

Available May 31, 2025

 

 

 

 

 

 

 

On the Northern California coast, beyond the mists of the ancient redwoods, there’s a quiet town like any other. Sueños del Mar has bakeries, repair shops, and friendly neighbors looking out for one another.


Or so it would seem.

This is a deviously delicious lie.


Every resident of Sueños del Mar has a skeleton in the closet. Even polar opposite best friends, roommates, and business partners Allison and Dorseigh.

Dorseigh McHale is a simple girl next door, seeking to earn a living wage and let go of her need to please everyone.

Allison Liddle seeks to leave her past behind and travel the world in style.

Their simple plans are thwarted when an unconscious boy ends up in their driveway.

The key to unlocking the secrets of the people and the town itself surfaces once kids start to go missing. Accused of the kidnapping, The Jills of all Trades, Allison and Dorseigh must add another skill to their resume: Amateur detectives.

With the help of friends, and some red herrings along the way, the Jills discover the missing children aren’t the only thing wrong with the town of Sueños del Mar.


About T.J. Descahmps

T.J. Deschamps is a multi-genre author who lives in the Pacific Northwest with her three kids, three cats, and one unbothered tortoise. In her spare time, she can be found either curled up with a book and cats by a fire or out in the forests and lakes hiking or kayaking.


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About Beth Whiteman

Beth Whiteman is a multi-genre author who lives in the Midwest with her husband, three children, dog, and cats. In her spare time, she is a champion kid chauffeur, crocheter, crafter, and jewelry designer.


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